The Messenger nominated for Canadian Screen Award for Best Cinematography in a Feature Length Documentary

Su Rynard, Canadian cinematographer Daniel Grant,  Joanne Jackson and a very stoic (cardboard cut-out) of CSA host Norm Macdonald

The most popular question we get at screenings of The Messenger is how we managed to capture these small and incredibly agile songbirds on camera. The simple answer, if you dare to call it that, is that it took years of planning and an incredible team of hardworking cinematographers. Collaborating with director Su Rynard to bring their shared vision for The Messenger to the screen were Daniel Grant, Amar Arhab, Laurent Charbonnier, Chris Romeike, and Joshua See.
This week, The Academy of Canadian Cinema and Television recognizes that work with a nomination for The Messenger in the Best Cinematography in a Feature Length Documentary category at The CSAs.

Messenger Cinematographer Amar Arhab, draining the water out of the water jugs we used as counter weights for our high angle shots, while at the same tie trying to squeeze in a smoke break. That’s the truth of our shooting schedule — we never really stopped moving.

Messenger Cinematographer Amar Arhab, draining the water out of the water jugs we used as counter weights for our high angle shots, while at the same tie trying to squeeze in a smoke break. That’s the truth of our shooting schedule — we never really stopped moving.

Sometimes we had more than one crew filming simultaneously in different locations. Joshua See camped out in the Boreal forest, trekked to Costa Rican coffee farms and managed to capture footage of birds in Toronto, while the main crew was elsewhere.  Check out a previous blog post revealing some of his photography secrets. 

“Filming wildlife, tiny songbirds included, takes a special set of technical skills, nature-knowledge, and patience.” – Joshua See 

 

Camera Assistant Lori Longstaff and cinematographer Daniel Grant filming with Phantom camera inside the wind tunnel at AFAR

Camera Assistant Lori Longstaff and cinematographer Daniel Grant filming with Phantom camera inside the wind tunnel at AFAR.

The task of capturing The Messenger’s songbirds in flight for the film couldn’t have been accomplished without the work of our talented cinematography team, but we also have the scientists and staff at Western University’s Advanced Facility for Avian Research (AFAR) to thank. Without access to their expertise and hypobaric climatic wind tunnel we could not have captured The Messenger’s stunning slow-motion sequences of the birds in simulated night flight.

The 800-frame-per-second footage, captured with a Phantom camera by lead cinematographer Daniel Grant and his team became the unifying force for the many stories in our film, and even provided the beautiful photography for our movie poster. You can watch The Messenger documentary crew filming in action at AFAR in our amazing short “behind the scenes” short documentary and read about it here.

And don’t forget to tune in to The Canadian Screen Awards on CBC, Sunday March 13th at 8 pm to cheer on our talented team!

The Messenger is an international co-production between Canada and France.  

Produced by SongbirdSOS Productions Inc. and Films à Cinq.

The Academy of Canadian Cinema and Television has been celebrating Canada’s talented film, television and digital media professionals since 1945. Founded by the academy, The Canadian Screen Awards (Formerly the Gemini and Genie Awards) celebrate Canadian productions and talent who excel in front of the camera and behind-the-scenes. The awards have evolved from humble, pre- beginnings at Ottawa’s Little Elgin Theatre to the star-studded red carpet event taking place at the Sony Centre for the Performing Arts Sunday, March 13th at 8 pm (ET).