update! CHEEP ACCOMODATION IN DOWNTOWN TORONTO

UPDATE: Feb. 2022. In the fall of 2021 the inside of the replacement habitat chimney was inspected. (There is a special hatch door in the design at the bottom of the chimney for this purpose.) One nest was observed on the side of the chimney eight feet from chimney base, and two half eggshells were observed at the base of the chimney under the nest. The conclusion is that it appears the chimney is successful in providing habitat for producing more young. This is great news, because, as far as we know, this is the second replacement chimney structure in the province Ontario to have confirmed nesting activity.

UPDATE: July 2021. Swift (multiple swifts) interest and activity has been documented around the chimney. Confirmed at least two birds overnight in the chimney, possibly this pair is nesting.

When the celebrated Toronto firm Kohn Shnier Architects was awarded the contract to build a new school for the Toronto Catholic District School Board in Toronto’s Christie Pits neighborhood, they didn’t expected that the first ‘shovel in the ground’ would be for the neighborhoods special seasonal resident, the Chimney Swift.

Chimney Swifts are among the finest aerial insectivore acrobats in the bird world.

During the day they are often seen in small groups, chittering and circling high in the sky. Often mistaken for bats, they swoop and dive with open beaks scooping up insects all day long. You’ll never see a Chimney Swift perching on a branch or at a bird feeder. In fact, they can’t perch, as their long claws are designed to cling to vertical surfaces. Amazing yes, but this also limits where they can find suitable places to nest, and like other aerial insectivores, Chimney Swifts are in decline.

One of the main problems this bird is facing is a biggie — loss of habitat. A few hundred years ago they lived primarily on cliff faces or in hollow trees, but when we colonizers altered the landscape to make way for civilization these birds had nowhere to go. Interestingly, they adapted to the new world by choosing to nest in something that to them, possibly, resembled the hollowed tree cavities in their old stomping grounds: chimneys. Now Chimney Swifts are listed as threatened under the Ontario Endangered Species Act (ESA).

Before building the new school, the old school had to be torn down. Demolition was set to begin when a notice came from Ontario’s Ministry of Natural Resources and Forestry (MNRF) stating that the school was a known habitat for Chimney Swifts. The news came as a surprise to architect Marty Kohn, “We received notice from MNR indicating that we had to go through an investigation.” Ultimately, the demolition was postponed and could not proceed until replacement habitat was built.

With city permits in hand, demolition was set to begin when a notice came from Ontario’s Ministry of Natural Resources and Forestry (MNRF) stating that the school was a known habitat for Chimney Swifts.

Although the MNRF offers minimum requirements for building new habitat it’s up to the architects or developer to come up with the final engineering and design. Fortunately for the Swifts Marty was on their team. Marty discovered that about fifty Swift towers have been built in Ontario. Twenty were masonry constructions, the rest were timber. Unfortunately, none of the timber structures have been occupied by Swifts, and of the remaining masonry towers, only one has resident Swifts. So, masonry it would be.

The resulting free-standing chimney is a wonder to behold.

Towering 10 meters high, the stand-alone chimney is set apart from where the new school building is to be constructed. The exterior is clad in white brick to match the overall project design. Under the brick is a layer of insulation, then a cinder block structure. The exterior brick is pointed, while the interior has rough mortar joints, making it suitable for nesting. The opening is the recommended 35mm wide, enough to allow access for the Chimney Swifts. The structure also has a vent for airflow and a small access door, allowing for annual maintenance and for monitoring the temperature.  The cost was $125,000. 

When the building is completed, on-site information on Chimney Swifts will be available, and the school can become involved in monitoring activities.

On the whole, awareness of Chimney Swift habitat is extremely low, not just among the general public, but also among urban planners and developers and building owners. Given the rate at which old chimneys are being capped or demolished, it would be beneficial if there were more builders following the lead of Kohn Shnier Architects. It would certainly be helpful for developers to be informed of the MNRF regulation in advance so they could plan and budget accordingly.

It is interesting to note that in the spring 2018, the newly elected Ontario Government moved Species at Risk from MNRF to the Ministry of Environment, Conservation and Parks (MECP). It’s unclear if MNRF still has a role to play in the implementation of the ESA as MECP has little operational presence across Ontario. Importantly, in order for the MNRF to act to protect Chimney Swift habitat, they rely on reports from citizen scientists who monitor and participate in Swift Watch groups.

Around the world animal habitats continue to shrink as human population increases.

In the case of Chimney Swifts, after its original habitat disappeared they adapted to chimneys, but now these are disappearing too. While many nesting sites remain in the downtown areas where there is a greater concentration of older low-rise buildings, these are now being replaced with condos and new developments, leaving many demolished chimneys in their wake.

Can we, with our modern ways of living find better ways to share our habitat with our animal companions?

Soon this idea will put to the test. Chimney Swifts are impressive migrants, wintering in South America and returning to eastern North America in the spring.  And this year, we will be watching! The hope is that these threatened birds will rest and roost in the new tower and ultimately a pair will successfully nest and raise the next generation.

If you happen to be at the north end of Christie Pits on Barton Avenue twenty minutes before or after sunset please watch the new tower! Share your swift sightings with ebird or another citizen science app, and with @BirdsCanada (OntarioSwiftWatch@birdscanada.org) and @SongbirdSOSfilm. If you want to know more about spotting Chimney Swifts this spring and summer, we will be posting more in the weeks ahead. Stay tuned!

Note: The official Birds Canada Swift Watch is canceled due COVID-19. But you may be surprised what you can see from your own back window, patio or roof deck.

by Mark Bell & Su Rynard, special thanks to Marty Kohn

Gratitude

With gratitude, 2016 was a good year for The Messenger. 2017 will be a challenging year for our environment and the world we live in. We hope that the film will continue to inspire and inform.

Winner: Prix Buffon, Paris Science, Le festival international du film scientifique, 2016

Winner: Special Jury Award, Visions of Nature/Voices of Nature Environmental Film Festival 2016

Special Mention for Best Documentary, CinemAmbiente, Italy 2015

Winner: Best Environmental Film Prize, Festival de l’Oiseau et de la Nature, Abbeville Cedex, France 2016

Winner: Best of Fest, International Wildlife Film Festival Missoula, Montana 2016

Winner: Best Theatrical Feature, International Wildlife Film Festival Missoula, Montana 2016

Nominated: Best Cinematography in a Feature Documentary, Canadian Screen Awards 2016

Nominated: Best Editing in Feature Documentary, Canadian Cinema Editors Award 2016

Nominated: for Dutch IntL Science Film Festival NTR Audience Award & Youth Jury Award, 2016

Winner: Whistleblower Award Cinema Verde Environmental Film & Arts Festival, 2016

Winner: Favourite Documentary Feature, North Bay Film Festival, 2016

Winner: Best Conservation Film, Jackson Hole Wildlife Film Festival, 2015

Winner: Top Ten Audience Award, Hot Docs 2015

Recipient of the 2015 Carl Nunn Media and Conservation Award presented by Ontario Nature

 

Now available on itunes in Canada and the USA.

Canada: https://itunes.apple.com/ca/movie/the-messenger/id1177748023

USA. https://itunes.apple.com/us/movie/the-messenger/id1082871787

 

Mixing Sound – a sensory experience of place

In filming The Messenger we travelled to three different continents, and each place we went possessed a unique acoustic and auditory character. From the editing to the final mix, I felt it was imperative that we fully articulate this sensory experience of place and time.

Supervising Re-recording Mixer Daniel Pellerin with Re-recording Mixer Chris Guglick

Supervising Re-recording Mixer Daniel Pellerin with Re-recording Mixer Chris Guglick

As our final sound mix gets underway at URBAN POST in Toronto, we are very lucky to be working with the talented duo of Daniel Pellerin Supervising Re-recording Mixer and Christopher Guglick Sound Re-recording Mixer. These guys make for a super-busy team, as in the last few weeks they have mixed the films “Remember” (Atom Egoyan) and “Milk” (Noemi Weis).  From a practical perspective, this takes a team. So for many months, composer and sound designer Phil Strong has been fine-tuning music, location ambiences and bird song.

Chris Guglick; “The most unique aspect of mixing this film was the scope and range of all the different sounds of birds.  Phil did an amazing job organizing all the sounds which allowed me to take all of the different birds and give them a life on screen. I have worked in many different human languages, but working in the language of another species entirely was something new for me.”

Re-recording Mixer Chris Guglick at Urban Post

Re-recording Mixer Chris Guglick at Urban Post

Mixscreen_tracks

Because our schedule and budget are very tight, Phil was just a day or two ahead of the mixers with his work, sometimes outputting the original music just hours before it was needed in the mix theater – quite the marathon indeed. Importantly, the mix is a creative journey in its own right, as the work is both intense and intuitive.  Daniel Pellerin;

“With every film you have to find the language that suits the film. The tone of the characters, quality of the voices, the sense of unfolding time and emotion of the story.”

 

Joanne Jackson, Producer Left. Su Rynard, Director Right.

Joanne Jackson, Producer Left. Su Rynard, Director Right.

As a director, my work is very nuanced, often contemplative, and layered in both content and context. Sound plays a pivotal role. It is often the aural experience that positions how a scene will be experienced and interpreted. In The Messenger we walk a razor sharp edge between tragedy and joy, dramatic tension and release, optimism and sobering truths. In most cases it is the sound that tips the scale to what the experience will be. This balance is not something that can easily be achieved, but with this team I knew I was in good hands. Daniel Pellerin;

“I love docs that have to do with nature, as the challenge is to make it immersive — putting the audience in the theatre yet creating the feeling that they are not in the theatre. In this film, music and birds are the lead “instruments” and a delicate balance is required.”  This idea is taken a step further by Chris Guglick;

As a sound effects mixer I’m often asked to turn down the sound of birds because they can distract from the action in the film.  This film gave the birds a leading role that could, if executed poorly, distract from the important information being expressed by the other characters on screen.  Finding that balance was key.

Here is a taste of the mix experience. A brief pirate recording of my own film, created on my iphone. Enjoy.

 

THE MESSENGER Picture Lock: 120 hours of footage – One year later

It’s been almost two years since camera’s starting rolling, and we have now reached a milestone with The Messenger. Picture lock!

The process began with editor Carole Larsen in January of 2014, together we confronted more than 120 hours of  footage that we had shot all over the world. We had two different camera teams, and four specialized songbird photographers, and after a year of travel we had a wealth of footage. The process of crafting a compelling story was a daunting task indeed. Carole’s first assembly was six hours long! Meanwhile in France, at Films A Cinq, Sally Blake focused in on our 2 x 1 hour International TV version.

Producer Martin de la Fouchardière, Producer and Co-writer Sally Blake, and me (middle) Director Su Rynard.

Producer Martin de la Fouchardière, Producer and Co-writer Sally Blake, and me (middle) Director Su Rynard.

In the fall we began work with Eamonn O’Connor and consulting editor Ricardo Acosta C.C.E. Together we fine-tuned the documentary feature narrative, and ultimately developed an instinctive, nuanced unfolding story. We are very pleased with the results and believe we have a film that we all can be very proud of.

(centre) Eamonn O'Conner Editor (right) Ricardo Acosta C.C.E & (left) Su Rynard Director

(centre) Eamonn O’Conner Editor (right) Ricardo Acosta C.C.E & (left) Su Rynard Director

Now we move forward into a new phase of sound editing and music, visual fx, titles, graphics, media conforms and colour corrects — all the things that need to be done to finish the film. Our goal is to have the film ready for the big screen by mid April.

The  title “The MESSENGER” is inspired by the voice over in the opening sequence: “In ancient times humans looked to the flights and songs of birds to foretell the future. Today once more, the birds have something to tell us.”

Check out our fabulous new logo by Toronto graphic designer Jenny Armour

.TheMessenger-Campaign-Card-Option1

The MESSENGER is an international treaty co-production between Canada and France.

Produced by SongbirdSOS Productions Inc. and Films a Cinq.  International Distribution by ZED.