Su Rynard, Canadian cinematographer Daniel Grant, Joanne Jackson and a very stoic (cardboard cut-out) of CSA host Norm Macdonald
The most popular question we get at screenings of The Messenger is how we managed to capture these small and incredibly agile songbirds on camera. The simple answer, if you dare to call it that, is that it took years of planning and an incredible team of hardworking cinematographers. Collaborating with director Su Rynard to bring their shared vision for The Messenger to the screen were Daniel Grant, Amar Arhab, Laurent Charbonnier, Chris Romeike, and Joshua See.
This week, The Academy of Canadian Cinema and Television recognizes that work with a nomination for The Messenger in the Best Cinematography in a Feature Length Documentary category at The CSAs.
Messenger Cinematographer Amar Arhab, draining the water out of the water jugs we used as counter weights for our high angle shots, while at the same tie trying to squeeze in a smoke break. That’s the truth of our shooting schedule — we never really stopped moving.
Sometimes we had more than one crew filming simultaneously in different locations. Joshua See camped out in the Boreal forest, trekked to Costa Rican coffee farms and managed to capture footage of birds in Toronto, while the main crew was elsewhere. Check out a previous blog post revealing some of his photography secrets.
“Filming wildlife, tiny songbirds included, takes a special set of technical skills, nature-knowledge, and patience.” – Joshua See
Camera Assistant Lori Longstaff and cinematographer Daniel Grant filming with Phantom camera inside the wind tunnel at AFAR.
The task of capturing The Messenger’s songbirds in flight for the film couldn’t have been accomplished without the work of our talented cinematography team, but we also have the scientists and staff at Western University’s Advanced Facility for Avian Research (AFAR) to thank. Without access to their expertise and hypobaric climatic wind tunnel we could not have captured The Messenger’s stunning slow-motion sequences of the birds in simulated night flight.
The 800-frame-per-second footage, captured with a Phantom camera by lead cinematographer Daniel Grant and his team became the unifying force for the many stories in our film, and even provided the beautiful photography for our movie poster. You can watch The Messenger documentary crew filming in action at AFAR in our amazing short “behind the scenes” short documentary and read about it here.
And don’t forget to tune in to The Canadian Screen Awards on CBC, Sunday March 13th at 8 pm to cheer on our talented team!
The Messenger is an international co-production between Canada and France.
Produced by SongbirdSOS Productions Inc. and Films à Cinq.
The Academy of Canadian Cinema and Television has been celebrating Canada’s talented film, television and digital media professionals since 1945. Founded by the academy, The Canadian Screen Awards (Formerly the Gemini and Genie Awards) celebrate Canadian productions and talent who excel in front of the camera and behind-the-scenes. The awards have evolved from humble, pre- beginnings at Ottawa’s Little Elgin Theatre to the star-studded red carpet event taking place at the Sony Centre for the Performing Arts Sunday, March 13th at 8 pm (ET).
We are thrilled to share the exciting news that The Messenger is being released in select Canadian cinemas! Please share this news with your family and friends, so they see the film in its full theatrical glory.
Toronto, ON February 18, 2016 – On the heels of a successful American theatrical launch in 40+ markets, THE MESSENGER’S Canada-wide theatrical release kicks off Friday, February 26, 2016 at the Carlton Cinema in Toronto.
Nominated for a 2016 Canadian Screen Award for Best Cinematography in a Feature Length Documentary, THE MESSENGER, an international story with high stakes global consequences, mesmerizes audiences with stunning slow-motion sequences of songbirds in night flight – all the while chronicling the struggle of songbirds worldwide to survive the turbulent environmental conditions brought about by humans.
Akin to the disappearance of the honeybee or the melting of glaciers, the film argues that the global demise of songbirds signals an uncertain shift in an already fragile ecosystem and explores our deep-seated connection to birds, while warning that the uncertain fate of songbirds might mirror our own.
“Humans share an ageless bond with birds, their song and their persistent presence in our lives. In ancient times, humans looked to the flights and songs of birds to predict the future. Songbirds are disappearing at an alarming rate, and this points to changes in our world. Now is a critical time for our climate and ecosystems. Today, once again, birds have something to tell us, and I wanted to amplify their message.”
~ award-winning Toronto director Su Rynard
Moving from the northern reaches of Canada’s Boreal Forest to the vast prairies of Saskatchewan, the wetlands of Turkey’s Mount Ararat, and to the busy streets of urban Toronto, the scientists, activists and bird enthusiasts featured in THE MESSENGER bring us face-to-face with the beauty of these airborne music-makers and with the remarkable variety of human-made perils that they face: the destruction of our forests, our lethal architecture, predatory pets, human gourmets, industrial agriculture methods and the alarming use of pesticides. All of which are causing the disappearance of songbirds at a disquieting pace. At the same time, THE MESSENGER vividly mixes its elegiac message with hopeful notes and unique glances into the influence of songbirds on our own expressions of the soul.
A Hot Docs 2015 Top Ten Audience Favourite and winner of the Best Conservation film at the Jackson Hole Wildlife Film Festival, THE MESSENGER leaves viewers with a profound appreciation for the billions of birds with whom we share our communities and our planet – and with hope for our collective ability to turn the tide.
Canadian Theatrical Release:
Set to release in the following markets:
Friday Feb. 26 | The Carlton Cinema | Toronto, Ontario
Sunday Feb. 28 | The Loft | Cobourg, Ontario
Friday Mar. 4 | Globe Cinema | Calgary, Alberta
Friday Mar. 4 | RPL- Theatre | Regina, Saskatchewan
Friday Mar. 4 | Princess Cinema | Waterloo, Ontario
Sunday Mar. 6 | The Roxy | Uxbridge, Ontario
Tuesday Mar. 16 | Broadway | Saskatoon, Saskatchewan
Friday Mar. 18 | ByTowne Cinema | Ottawa, Ontario
Friday Mar. 18 | The Vic Theatre | Victoria, BC
Saturday Mar. 19 | The Metro / Garneau | Edmonton, Alberta
Sunday March 20| The Rio Theatre | Vancouver, BC
Monday April 11 | Cinema du Park | Montreal, Quebec
The Messenger is also screening at upcoming Film Festivals in the US and Canada including Wakefield PQ, Kingston ON, Belleville ON, Salt Spring Island BC and Haida Gwaii BC. If you don’t see your city or town on the list, you can request a screening here.
The Messenger is being released in Canada with promotion and marketing assistance from Telefilm Canada and the support of The First Weekend Club. National outreach partner is Bird Studies Canada. Film Funding partners here.
One of the most daunting tasks for any film director is the process of visualizing the film. How will the images be created on a practical and technical level? While the “idea” for a documentary film featuring songbirds is exciting, these little creatures live high in the treetops, are not residents of one place, and most migrate at night, high in the sky, out of plain sight. This nocturnal passage of birds is invisible to the naked eye, so how could we possibly film it? These were the questions that kept me awake at night.
Each year, twice a year, songbirds embark on an epic migratory journey. They have been doing this for thousands of years, but in today’s modern world these tiny creatures face enormous obstacles along the way. The problems birds face is central to The Messenger documentary, so it was essential to find a way to create imagery that would tell this story.
Many of you will remember the outstanding Oscar nominated film Winged Migration. This 2001 documentary film directed by Jacques Perrin showcases the immense journeys routinely made by birds. If Perrin could do it, why couldn’t we? But how exactly did they capture those amazing images of birds in the sky? A Google search yielded astounding answers. Firstly, the process took four years because the filmmakers actually started with eggs. They hand raised birds of several species including storks and pelicans from birth. The newborn birds imprinted on staff members and their machines. Yes, these birds were born to believe that the production team were their parents! As soon as the birds were able, they were trained to fly along with the film crews. If you can find it, I highly recommend watching a behind the scenes documentary titled “Le Peuple Migrateur – Le Making Of”.
Seventy percent of Winged Migration is aerial footage. This footage is shot by 14 different cinematographers using Ultralight Motorized (ULM) aircraft balloons, motorized parachutes, hot air balloons, trucks, motor boats, robots, and a French Navy warship. This production required an army of 450 people, including 17 pilots, legions of ornithologists, animal advisors, and guides, plus the film production personnel. Production took place in 40 countries over seven continents and lasted four years. Easy right?
Blackburnian warblers measure from 11 to 13 cm (4.3 to 5.1 in) long, with a 20 to 22 cm (7.9 to 8.7 in) wingspan, and weigh 8 to 13 g (0.28 to 0.46 oz). These warblers (left) were photographed by The Messenger crew in emulated night flight at Western University’s Advanced Facility for Avian Research (AFAR) and in the Boreal Forest (right).
Winged Migration featured large birds including Snow geese, Sandhill cranes, Canadian geese, Eurasian cranes, and White storks. By comparison, songbirds – the birds featured in The Messenger –are small birds. A tiny Goldfinch weighs just 14 grams (.5 ounces), while a male Canada goose can weigh up to 8.9 kilo’s (315 ounces)! What was possible with these large birds seemed impossible with filming songbirds. Additionally, we, SongbirdSOS Productions Inc. and our co-producers Films à Cinq, are small companies. (Confession – I work out of a home office). Winged migration was a very different kind of movie. We certainly didn’t have the budget or an army of 450 enablers – but we did have imagination, and in one of my many worried sleepless nights, the eureka light bulb went off. Enter AFAR!
“We had a dream … and 10 of us got together and wrote an application to the Canada Foundation for Innovation that described the need for a place in Canada [that] would be devoted to the study of birds.”
AFAR’s hypobaric climatic wind tunnel for bird flight is capable of simulating conditions up to 7 km altitude with high quality, low turbulence airflow at speeds of up to 65 km/h.
Today AFAR is a globally unique research facility for studying avian physiology and behavior. Research done here helps us understand how birds meet the demands of long distance migration, how birds respond to environmental stressors such as habitat change and disease and climate change, and how avian reproduction is affected by changing environmental conditions. The facility offers a unique combination of experimental and analytical equipment that allows scientists to conduct research that could not be done anywhere else. And it contains the world’s first wind tunnel for birds that is capable of simulating altitude conditions.
The working section is surrounded by a solid steel plenum that allows us to adjust air pressure, temperature, and humidity to simulate the conditions birds would experience in the wild.
Lucky for us Chris agreed to meet with us and listen to our crazy proposition: to film tiny songbirds in emulated nocturnal migration in the AFAR wind tunnel. At our initial meeting, we agreed to do a test shoot. Fast-forward a few months and with the support of The Canadian Film Centre and The National Film Board of Canada’s Documentary Development Program cameras were rolling. The filming was super intense and very challenging as we didn’t now if what we were trying to do could be done at all, but thankfully the results were very promising indeed. We agreed to work together and the lengthy pre-production process of preparing to film tiny songbirds in flight began for real.
Birds are wild creatures, so Chris had to obtain a permit from Environment Canada for every bird we filmed. In the spring, each bird had to be captured then safely housed in an aviary. AFAR has the most stringent guidelines to ensure the birds were healthy and well adjusted to their new surroundings. Over the next few weeks their staff worked habituating the birds to fly in the tunnel and by late spring we were ready to roll.
Camera Assistant Lori Longstaff and cinematographer Daniel Grant filming with Phantom camera inside the wind tunnel at AFAR.
With a small crew, a Phantom camera, and a series of very fast prime lenses, we set up for two days of filming. The photography was excruciatingly demanding from a cinematic perspective. Cinematographer Daniel Grant and focus puller Lori Longstaff faced the challenge of a lifetime. As Daniel explains,
“We wanted to use the Phantom High Speed camera, which is a camera that allows you to record frame rates up to 1000 frames per second – meaning 1 second recorded will be stretched out to about 40 seconds of slow motion.”
The images of songbirds in flight in The Messenger documentary are on average 5-10 seconds long, yet what you see on the screen is only a quarter or half a second long in real time. This is much like the slow motion instant replays you might see in Olympic television coverage – but for birds. That said, there were many obstacles to overcome.
“One of the major difficulties,” as Daniel recalls, “was that it is nighttime flying conditions that are being replicated for the birds in the tunnel, so the wind tunnel is kept very dark, and any light is likely to confuse the birds. But in order to record at high frame rates, you need quite a bit of light. We used matte black tape over the inside of the tunnel to limit reflections, and used LED lights mounted above the birds to try to keep the light out of their path as much as possible, so as to not disturb them. Because we were using the least amount of light we could… only a very small area (less then 1 inch) could be in focus. On top of that, at the time, the Phantom camera could only record about 2 seconds at a time. After every burst we needed about a 2-minute reset time. So getting all the elements right – framing, focus, and recording the right moment – was very difficult to say the least, and required the coordination of everyone involved.”
The Messenger camera is set inside the wind tunnel, while outside, technician Marty Carriero prepares to record the files from the Phantom Camera.
Nonetheless, the results are spectacular. Dr. Christopher Guglielmo describes the experience as a positive one,
“When you look at the kind of footage The Messenger shot, it’s unique. I’ve never seen anything like it and I think it is going to have a big impact on the way people look at birds, the way people think about science and the link between the research and the other things we want for these birds, for their conservation, and for the environment. I think it was a good experience all around for the filmmakers and for the scientists.”
As a final note, we do have one thing in common with Winged Migration — a talented French wildlife cinematographer, Laurent Charbonnier. The Messenger documentary features many birds that live all over the world, and when filming songbirds in Europe, we were very fortunate to work with Laurent, who was also one of the 14 cinematographers on Winged Migration.
THE MESSENGER documentary is an artful investigation into the causes of songbird mass depletion and the compassionate people who are working to turn the tide. The film takes viewers on a visually stunning journey revealing how the problems facing birds also pose daunting implications for our planet and ourselves.
The Messenger is now screening in theatres across the USA and Canada. To find out where you can see The Messenger click here.
Birds are environmental indicators and The Messenger offers the opportunity for dialogue and action on the issues raised by the film. Screenings of The Messenger are now happening all around the world, and everywhere we go people are moved by the film and inspired to take action – for birds, for our eco-system, and for human kind.
In Canada we are at a critical stage. We are ready to launch a nation wide screening tour, and need your support to make it happen. Will you help us raise the funds we need to run a successful impact campaign and spread the important message of The Messenger? Your contribution today ensures more Canadians from coast to coast can experience the film. Your support also helps to generate the tools and resources we’ll need to empower people to take action for birds.
Your actions are a vital component of change, and it’s through collective effort that we’ll make the biggest difference.
If you live in the US or another country, we appreciate contributions to the International Outreach Campaign via Indiegogo crowdfunding.
We were very lucky to film this Golden-winged warbler in Central America. Golden-winged Warblers have declined sharply and now have one of the smallest populations of any bird not on the endangered species list. The North American Breeding Bird Survey estimates an overall decline of 76 percent.
Ontario: An urgent message from Michael Mesure and FLAP Canada. You Can Make a Difference for Songbirds!
Millions of birds, including species at risk, migrate to and breed in the Northern Ontario Boreal Forest. These birds help fight climate change by protecting this landscape. They do so by consuming insects, pollinating plants and distributing seeds.
Our built up urban environment is in their migratory path. Countless birds die in daytime collisions with windows. In Toronto alone, it is estimated that between one to ten million birds die from window collisions each year.
A section of a progressive law in Ontario — the Environmental Protection Act (EPA) — that would help protect migratory birds from window collisions is at risk of being nullified. In 2013, an Ontario court upheld the EPA to protect birds from collisions with reflective windows. The Ontario Ministry of the Environment and Climate Change (MOECC) is proposing to withdraw its regulatory responsibility to protect birds under the EPA and replace it with voluntary action from owners and managers of commercial buildings.
FLAP Canada has worked tirelessly to protect birds from building collisions since 1993 and knows from experience that voluntarism does not motivate window retrofits on the part of property owners and managers.
The Messenger Documentary supports this important initiative. Please send in your comments to the MOECC (Ministry of the Environment and Climate Change) by December 4, 2015.